Originally from Australia and now living in Bristol, Louisa sings a Baroque programme including music by Monteverdi
A very welcome return to the series for Laura Curry, accompanied by Laura Deenik. Music by Gounod, Duparc, Shostakovich, Smetena and more.
A recital based on the sea and its sailors. Music by Fauré, Stanford, John Ireland, Michael Head and more. Accompanied by Steven Kings
Our listing of song recitals coming up in the Bristol area.
We don't know of any upcoming recitals!
The Bristol Song Recital lunchtime Series is a free-to-enter series of concerts. At the end of each lunchtime concert, we collect money to pay for the use of the church, for the advertising and other running expenses. Any money which remains is given to the performers - as performers ourselves, we know how important this is, and it allows us to attract the best singers.
If you would like to donate money we'd love to hear from you at email@example.com or using the contact form at the bottom of the page.
But in order to expand, like everybody else, we need extra money! But we also need extra help in the form of ambassadors, stewards and administrators. If you feel you can help with any of these roles, please let us know. You can email firstname.lastname@example.org
This week's recital (Wednesday 22nd May, 1.10pm in St Stephen's, sung by Katy Garden with Claire Alsop at the piano) gives two sides to the music of twentieth century composers.
First is Rodrigo's Cuatros Madrigales Amatorios, a set of four songs based on much earlier originals, from the 16th century Spanish court of Prince Philip II. The result is a music which is consonant and pretty immediate with its dance rhythms, with large overtones of the late renaissance and early baroque. One commentator suggested that it's among Rodrigo's most folk-orientated works. The words are folk-like, too - simple but ambiguous.
Debussy Ariettes Oubliées is an early project. A set of six songs to words by Paul Verlaine, they show the nascent Impressionistic style. Much more worked than the straightforward melodies of the Rodrigo, they also require virtuosic performances from both the singer and the player. Nevertheless they're compelling works of art, and a hugely important stepping stone on Debussy's path of progression towards his mature style.
We want to hear from you.
You can contact us directly using the form alongside, or you can do it via our social networking accounts (use the icons on the menu bar above).
Thank you for wanting to talk to us!